Tatiana LOGINOFF (1904-1982 Russia) "Still life with red mullet"
Tatiana LOGINOFF (1904-1982 Russia) "Still life with red mullet"
Tatiana LOGINOFF (1904-1982 Russia) "Still life with red mullet"
Tatiana LOGINOFF (1904-1982 Russia) "Still life with red mullet"
  • Charger l'image dans la galerie, Tatiana LOGINOFF (1904-1982 Russia) "Still life with red mullet"
  • Charger l'image dans la galerie, Tatiana LOGINOFF (1904-1982 Russia) "Still life with red mullet"
  • Charger l'image dans la galerie, Tatiana LOGINOFF (1904-1982 Russia) "Still life with red mullet"
  • Charger l'image dans la galerie, Tatiana LOGINOFF (1904-1982 Russia) "Still life with red mullet"

Tatiana LOGINOFF (1904-1982 Russia) "Still life with red mullet"

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Tatiana LOGINOFF (1904-1982 Russia) "Still life with red mullet" Magnificent Oil-Gouache on mounted canvas, Circa 1930.
57.5cm x 43cm "frame"
41.5cm x 27.5cm "painting"

 

Tatiana Loginoff was a creative visual artist.

Tatiana Loginoff was born in 1904 and died in 1982. Further Biographical Context for Tatiana Loginoff

Tatiana Loginoff was born in 1904 and was largely influenced by the 1920s growing up. The 1920s and 1930s saw continued development and evolution of the key innovations of the first years of the twentieth century.

To have this time as the formative period for an artist was to be surrounded by inspiring practitioners of the pictorial arts. It was also a time of recovery and introspection after the horrors of the First World War, which saw important shifts in politics. Marxism was a predominant political ideology which was also particularly influential among artists and their communities.

noteworthy artistic developments included a kind of expressive characteristic which was epitomised by Brancusi, Modigliani and Soutine in Paris.

Surrealism advanced throughout the 1920s and 1930s, with a focus on the human unconscious - a vital idea of Freudian theory.

Notable Surrealist artists include Salvador Dali, Giorgio de Chirico, Andre Breton, Rene Magritte and Paul Delvaux. Due to its cultural importance, much of this ideology spread worldwide. The Bauhaus was founded in 1919, and became an indispensable place surrounding ideas in favour of the unification of art, craft and design disciplines – an idea that became known as the Gesamtkunstwerk. Surrealism came to be the central expressive mode of the 1920s, and was aided by the liberalism of Germany’s Weimar Republic, which was an environment that allowed for remarkable creative flowering.